
My artistic journey began in childhood, where the world itself seemed like an infinite canvas. Crayons and finger paints ignited my fascination with color, enabling me to translate emotions into tangible creations. Art became my voice when words failed me, offering solace and healing during life's ups and downs.
As I grew, so did my passion, inspired by great artists of the past. I explored diverse mediums, from water colours to oil paints each revealing facets of my evolving identity. Today, I cherish the lifelong path art has carved, teaching me persistence, creativity, and self-expression. It's a testament to the magic of discovering one's passion early, a reminder that our passions define who we are. The seeds of creativity were sown deep within my soul, and they sprouted naturally, like the first colorful blooms of spring.
Art was my sanctuary, a safe space where I could process life's complexities and find healing.
In every stroke of the brush, in every line on the canvas, I find not only art but also a piece of my soul. It is a reminder that our passions are not just hobbies; they are the very essence of who we are. My artistic journey is an enduring testament to the magic of discovering one's passion at a tender age, which I wish to share.

I vividly recall a time when I was 5 or 6 years old, enrolled in the 1st standard at Kendriya Vidyalaya School, Trivandrum, under the tutelage of Mrs. Nair. It was during this early chapter of my life that my father, with a heart full of affection, took me to a stationery shop. Our mission was to purchase a stack of books and notebooks, yet amidst the array of educational supplies, my young eyes were magnetically drawn to a colorful treasure.
It was a sleek, metallic box of "Apsara" color pencils, adorned with a captivating illustration of an elephant on its lid. Until that moment, I had only encountered color pencil sets made of paper or cardboard. This one, however, was different, and I fell head over heels in love at first sight. Gently, I turned to my father and uttered, "Daddy, can I please have this color pencil set?" Without hesitation, he granted my wish, and that humble box became a cherished possession.
I safeguarded it diligently in my school bag, guarding it like a sentinel. This, perhaps, was the initial catalyst for the artistic spark within me—an episode that remains etched in my memory as the earliest recollection of my artistic journey.
In the years that followed, I continued to acquire color pencils, crayons, and pastels, but that "Apsara" set retained its special place, to be used sparingly, as if each stroke carried the weight of a thousand dreams.
Now, can you fathom, even in your wildest dreams, that I still possess this treasure after half a century? Though it may lack monetary value, to me, it's a priceless relic of my artistic odyssey. This tale serves as a poignant reminder that you don't need to rub two stones together to ignite artistic passion; sometimes, it's the smallest, most unexpected moments that kindle the brightest flames of creativity.

It was an ordinary day in Kendriya Vidhyalya, Sector 31, Chandigarh, where my journey as an artist began. I was just a third-grader a young boy of about 9 years , a curious and wide-eyed child navigating the wonders of the world. The sun's rays streamed into the classroom, casting a warm glow on our desks, as the teacher announced an upcoming art competition that would forever change the course of my life.
The competition wasn't just a school event; it was a competition with a twist - selected artwork would be sent to the erstwhile USSR (Union of Soviet Socialist Republics) for judging.
My chosen subject was a rainy street scene of Chandigarh. I meticulously painted the wet streets, the reflections of streetlights, and the pedestrians hurrying along the sidewalk. Yet, the centerpiece of my painting was a magnificent Ambassador car, an iconic vehicle of its time. With its curved, symmetrical lines and distinct character, it was much more than just an automobile.
Little did I know that this simple act, this participation in a national competition, would set the wheels in motion for my artistic journey.
Weeks later, the news arrived - I had won a prize! My painting had been selected from among entries from all over India and was deemed worthy of recognition. It was a moment of pure elation, a validation of my creative spirit that would stay with me for a lifetime.
Looking back, I realize that this seemingly small achievement ignited a fire within; shaping me into the artist and human being I am today. It was not just about winning a prize; it was about discovering the boundless possibilities of self-expression through art.

Born in the heart of warriors Haryana, as a Jat ( fondly called 'Taxan'), my identity runs deep in this rustic soil where strength and combat prowess reign supreme. Art here, viewed as 'sissy' and 'weak,' struggled to find its place amidst a culture focused on valor. My lineage, four generations of Army officers, had witnessed wars from Italy to Mesopotamia, further emphasizing the divide between art and the call of duty. In this environment, I embarked on my artistic journey in secret, creating under the cover of night, craving appreciation that remained elusive. The solitude sculpted an unyielding spirit that treasures art as a hidden gem in the land of warriors.

As an Army officer's child, my life was marked by the nomadic rhythm of postings and relocations. With each transfer, my family and I embarked on new adventures, leaving behind familiar landscapes and acquainting ourselves with new ones. In the sixth standard, I found myself moving from the familiar halls of KV Chandigarh to the enchanting hills of Dalhousie, a picturesque hill station in Himachal Pradesh, India.
Dalhousie, with its mist-shrouded mountains and verdant landscapes, offered a canvas of inspiration. The tranquil beauty of this hill station stirred my artistic soul, and I found solace in the midst of nature's grandeur. Here, amidst the whispers of the pines and the melody of mountain streams, my journey as an artist continued.
Through these interactions, I discovered the transformative power of art not only as a means of self-expression but also as a vehicle for fostering creativity and resilience in others. The sparkle in a child's eye as they unveiled their creation mirrored the joy that art had brought into my life.

In my years at Dalhousie Public School, the concept of art was nearly absent until one day, a newfound figure entered our lives - an art teacher. Until then, various teachers had taken charge of the class, but there was never a dedicated art instructor.
On that memorable day, our art teacher ushered us outdoors to a mountainous setting, where we gathered in the open expanse of a locked bungalow. It was here that I received my inaugural art lesson, a moment that would resonate with me for a lifetime.
He spoke of proportions, stressing their paramount importance in the world of art. He emphasized the notion that nothing was more disheartening than creating a masterpiece filled with intricate details, only to realize that the proportions were awry. His illustrative gesture, with a pencil in hand, thumb raised like a hitchhiker, eyes squinted in deep concentration, and tongue sticking out, remains etched in my memory, nearly four decades later. To some, it may seem comical, but to an artist, it's an invaluable measuring technique.

This lesson took root in my artistic journey, propelling me to practice proportions tirelessly, particularly in outdoor settings. As I honed this skill, I extended it to human anatomy, dissecting not only the human form but also individual body parts.
Regrettably, our art teacher's presence was ephemeral, spanning just a few months before he departed from the school. However, the profound lesson he imparted on that luck day served as the cornerstone of my artistic foundation. It propelled me along the path of improvement, shaping me into the artist I am today, and for that, I remain profoundly grateful.

During my 9th and 10th-grade academic journey, practical files in subjects like Physics, Chemistry, and Biology introduced me to a unique opportunity. These files required intricate drawings on the left pages, alongside written explanations on the right. I took this artistic challenge head-on, crafting detailed drawings with precision and finesse. But it wasn't just about my own artistry; I saw a chance to assist my classmates.
Word spread, and soon, I became the go-to person for drawing guidance. Helping them wasn't just altruistic; it was a chance to refine my own skills. As I explained, demonstrated, and enhanced these drawings, my artistry evolved.
This experience taught me that art is a shared journey. Collaborating with classmates, I not only improved my drawings but also deepened my appreciation for art's power to connect and uplift. It wasn't just about becoming a better artist; it was about becoming a more compassionate and collaborative human being.
In addition to my school routine, I pursued subjects and connected with individuals who held a special place in my heart, such as my esteemed family members who made the ultimate sacrifice while defending our country. These particular subjects and people fueled my determination and prevented me from giving up midway.

During the 10th board exams at Dalhousie Public School, external invigilators brought a pleasant surprise. Their amazement was palpable as they leafed through my practical files. They marveled at the intricacy of the drawings, wondering aloud how someone could wield a pen or pencil so beautifully. "These are even better than the real specimens," they exclaimed.
Amongst all my files, the Biology practical book garnered the most praise, offering ample opportunities for shading and detail. The external examiners couldn't contain their astonishment and eagerly showcased my work to fellow students, teachers, and even the school principal.
Their admiration didn't stop there. They sought permission from both me and our esteemed Principal to carry my files back as exemplary samples. The overwhelming sense of pride and accomplishment from this recognition was immeasurable. It was a pivotal moment in my journey of developing into an artist, reaffirming my passion and propelling me toward greater artistic heights.

After completing my 10th standard, I had to relocate from Dalhousie to Chandigarh. Following the board exams, I found myself with ample free time, and most importantly, no one was pressuring me to study until the results were announced and I could join college. During this period, I dedicated my days to practicing drawing and painting. I would choose various subjects by browsing through magazines and books from the library. This allowed me to further enhance my skills and continue improving.

I was deeply passionate and engrossed in art, to the extent that I aspired to enroll in an Arts college in Chandigarh. However, my entire family, particularly my father, strongly opposed this decision. He tried to convince me by presenting the harsh reality of life, stating, "There is no career in art, and you will end up wandering aimlessly with a cotton bag and burden on your shoulders." Despite his efforts, I remained unconvinced. In an attempt to dissuade me further, he called upon his cousin, Mr. Dharam, whom, I had proclaimed as my mentor or "Guru" on my own. Mr. Dharam shared his own experience of pursuing Fine Arts from one of the top colleges in India, only to find himself and his friends compelled to take up teaching positions in schools with limited prospects for growth. He advised me to prioritize securing a good job and, if I truly had a passion for art, to continue pursuing it alongside my career. Taking his advice to heart, I enrolled in Pre-University at Shri Guru Gobind Singh Khalsa College in Chandigarh, opting for non-medical science subjects. Unfortunately, the college offered limited opportunities for artistic expression, so I had to practice on my own and focused on other subjects, particularly English, as our professor, Mrs. Rita, was exceptionally skilled in teaching it.

Upon completing my Pre-University education at Shri Guru Gobind Singh Khalsa College in Chandigarh, I embarked on a journey that led me to various colleges and experiences. Initially, I enrolled in a "Pre-Engineering" program at DAV College, Chandigarh. The decision to change colleges was influenced by multiple factors, including its strong reputation and the fact that all five of my uncles had attended there. However, the underlying motivation behind this shift was the presence of a vibrant Arts club within the institution. It's worth noting that my primary learning experience came through self-practice and unwavering dedication.










The following year, I found myself at All India Heroes Jat Memorial College in Rohtak, pursuing a scientific path. Unfortunately, I didn't resonate with the routine and atmosphere at this new college, prompting me to return to DAV Chandigarh after only three months. During this brief stint in Rohtak, I serendipitously formed a small team with fellow artists, including Harvinder Malik "Jonney" and Naveen. Together, we formed a team of four to participate in a painting competition at IC College, Rohtak.



















Once I registered for the competition, I was left with just 3-4 days to choose a subject and medium. Oil painting was uncharted territory for me, and I had no prior experience with it. I ventured to an art supply store and purchased a limited set of oil painting materials. The challenge ahead loomed large, and I grappled with the fundamental question that often plagues beginners: "How do I begin?" Seeking guidance, I turned to the library, where I pored over books about oil painting techniques and selected a landscape from a Walter Foster book as my subject.
As I started working on the painting, it quickly became apparent that my initial attempts fell short of my expectations; the result was flat and far from resembling reality. Frustrated, I sought the counsel of my mentor, Mr. Dhram. I asked him, "What's wrong with it?" His response left an indelible mark on my artistic journey: "There is no right or wrong in art; do what you enjoy. It's a journey to be embraced, and as long as you don't give up, you'll witness growth and improvement." I've carried this valuable lesson with me ever since.

After some persistent urging, Mr. Dhram picked up a brush and demonstrated a few strokes while imparting insights into perspective, depth, shadows, colors, grays, and more. Armed with this newfound knowledge, I returned to my painting, feeling enlightened and filled with renewed enthusiasm. Although I couldn't complete the painting in time for the competition, I had gained valuable insights into working with oil paints.
The competition itself saw students from over 40 colleges creating paintings and sketches over the course of three hours on the expansive college lawn. I managed to create three artworks during this time: an oil landscape, an abstract piece, and a pencil sketch of the radio tower visible from the lawn.
In a twist of fate, a swarm of small insects became entangled in the wet oils of my abstract painting, adding an unexpected and stunning effect to the bright orange background. No one would have guessed that these were insects from a distance. Given the lack of time to remove them and repaint the background, I left them as they were. To our astonishment, the abstract piece won the first prize, and the sketch earned second place. Our team celebrated with humor, Haryanvi songs, a short skit, and jubilant songs, showcasing our diverse talents.
The thrill of winning such a prestigious competition kept me awake that night, as it marked a significant milestone in my artistic journey. Jonney, who was a highly skilled artist, made my victory feel like a miracle. While I had previously focused on sketching, working with oils was an entirely new experience. This incident served as a catalyst for my artistic development, and I remain grateful to my teammates for their role in it. Although we've lost touch, I am confident that they have achieved great success in their artistic endeavors and wish them continued growth in their creative pursuits.

The following day, brimming with energy and confidence, I resumed work on the landscape that I had left unfinished. This landscape, created in 1986 as my first oil painting, remains my favorite to this day. I believe I can never replicate the effect, particularly that of the tree, and thus, I've never mustered the courage to attempt it again.

Upon my return to Chandigarh, I reignited my artistic journey with unwavering determination. I began experimenting with various mediums, including pastels, watercolors, oil on canvas, and pencil sketches. As anticipated, my skills continued to evolve and improve. I owe a debt of gratitude to the lifelong friends I made along the way, including Samby, Mamu, Don, Vineet, Jhingta, Bisheshar, Dutta, and others, who provided constant encouragement.

Following my graduation, I relocated to Jaipur and enrolled in the MA English literature program at Rajasthan University. My artistic voyage persisted, and I forged new, enduring friendships, primarily among my classmates, some seniors, and an occasional junior.
I extend heartfelt thanks to each of them, including Dabloo (may he rest in peace), Manan, Patni, Sanjeeva, Jai, Bully, Hada, Subhash, and Bhawani, for not only shaping my life but also becoming an integral part of it.
I participated in the Inter-Univ Youth festval and even won prizes in many disciplines. The best part was when I used to draw this sketch with coloured chalk on the black board and everyone used to admire without knowing who drew it.

One day, out of the blue, my father issued an ultimatum, stating that he would only support me for one more year, and I should begin searching for a source of income. This stark reality shook me to my core, prompting me to take my future seriously. I embarked on a journey of rigorous studying and competing in various exams. I successfully secured a position in government service, where I continued my artistic pursuits for the next 34 years. During this time, I accumulated a wealth of real-life experiences, which I plan to share at a later date. Suffice it to say, I never abandoned my passion for art.

Over the years, I produced thousands of artworks and generously gifted them to friends and colleagues. My reasoning was simple: I needed to keep honing my skills, but I couldn't possibly manage such a vast collection of art. By presenting one work to someone I knew, I not only made them immensely happy but also ensured the preservation of that single piece of art.

I consider myself fortunate to have been associated with and collaborated closely with many talented artists throughout my journey, including Jangid, Deepinder, SSC Singh (may he rest in peace), Sandeep, Divya, Shakti singh Ahlawat, Rajesh, and numerous others. Their presence and creativity kept the artistic flame burning brightly within me.

During the challenging times of the Covid pandemic, I ventured into the world of Acrylic colors and found myself falling in love with this medium. For now, you can explore my artwork, but stay tuned for more stories to come.

During Covid pandemic, I ventured into the world cartoons I had forgotten. I made cartoons on COVID situations and farmer agitation that was going on. Best way to utilise the extra time found due to COVID.
of Acrylic colors and found myself falling in love with this medium. For now, you can explore my artwork, but stay tuned for more stories to come

The chapter of my life dedicated to full-time art - "Why Now" - represents a transformative phase in my journey as an artist. To be continued...
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